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Following the events of Tiger Zinda Hai, War, and Pathaan, Avinash Singh Rathore returns as Tiger but this time the battle is within. He has to choose between his country or family as an old enemy is after his life, who claims that his family was killed by Tiger. He holds Tiger captive in Pakistan as the Indian agent’s loyalty towards his country faces its biggest test.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.
Taipei, late Dec 2012. The city is going through an unprecedented winter heatwave, with temperatures in the 30s. Eight-year-old Tiger (Antoine) lives with his divorced mother, Cao Yi (Vivian Hsu), 36, who is struggling to make ends meet with her job as a magazine editor and reduced alimony payments from her ex-husband (Tang Kuo-chung). Tiger, who has a hyper-active imagination and sees his mother as a run-down robot who needs a new model, is not very bright at school and worries his art teacher (Mini Yang) with the dark pictures he draws in class.
Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.
Lonnie’s life hasn’t changed much in the 16 years since he graduated high school. Still painting houses, still drinking too much, still hanging out with the same old friends (including Alex Karpovsky of Girls, naturally hilarious as always). Bloomin Mud Shuffle is a gritty gem that wrings hard-earned humor out of tough circumstances. Frank V. Ross’s seventh film includes strong performances from Natasha Lyonne (Orange is the New Black) and Rebecca Spence (Ross’s Tiger Tail in Blue, WFF 2013), and a score by John Medeski of Medeski Martin & Wood.